Archives For Maori

Music in Naseby, sculpture in Rotorua and taonga puoro on Stewart Island – New Zealand will be alive with new sights and sounds in 2011 thanks to our latest Wild Creations artists.

Wild Creations is an artist-in-residence programme that we run in partnership with Creative New Zealand. The deal is that each year, three NZ artists get to spend six weeks staying in DOC accommodation in some pretty special parts of our country. They immerse themselves in the places they visit and share its stories and unique qualities through their art – encouraging all of us to see it in a new way.

One of our winning artists is musician, Dudley Benson. He’ll head to Naseby, Central Otago to work on new material inspired by the history, geography and people of the region. Dudley has just released his second album, Forest: Songs by Hirini Melbourne, and completed a ten-date nationwide tour performing songs from the album along with all-vocal ensemble, The Dawn Chorus and dance artist, Cat Ruka.

Dudley Benson, photo by Joshua Thomas

Dudley Benson, photo by Joshua Thomas

Dudley and the Dawn Chorus perform at the Palm Beach Hall in Waiheke, photo by Joshua Thomas & Milana Radojcic

Dudley and the Dawn Chorus perform at the Palm Beach Hall in Waiheke, photo by Joshua Thomas & Milana Radojcic

Another Wild Creations residency winner is the sculptor/writer duo Madeleine Child and Philip Jarvis. They’ll spend their residency in the Rotorua Lakes region, creating objects for an exhibition using ceramic and other materials from the area, and doing a research project to produce a written work. Madeleine and Philip’s past work includes Doodads & Doodahs and Widespread Occurrence of Possible Symbioses, a super colourful reproduction of a coral reef, which they won a Portage Ceramic Award for in 2009.

Philip Jarvis and Madeleine Child

Philip Jarvis and Madeleine Child

Doodads & Doodahs and Widespread Occurrence of Possible Symbioses

Doodads & Doodahs and Widespread Occurrence of Possible Symbioses

Our third Wild Creations artist for 2011 is musician and craftsperson Alistair Fraser, who will spend time on Stewart Island/Rakiura. Alistair is skilled in making taonga puoro – traditional Māori musical instruments – so while he’s on Rakiura he’ll make the most of the access to the island’s unique materials by creating new instruments and recording their sounds. He also plans to create an interpretive display of instruments and recordings to showcase Stewart Island’s conservation values.

Alistair Fraser, photo by Andy Morley-Hall

Alistair Fraser, photo by Andy Morley-Hall

Taonga puoro musical instrument, Putorino Urukehu (totara flute/trumpet)
Taonga puoro musical instrument, Putorino Urukehu (totara flute/trumpet)

Best of luck to our Wild Creations artists as they venture out into NZ’s wild places and I can’t wait to see what they create!

Billy Earl and Betty Grey

Rosy Tin Teacaddy rolled into Rotorua a few weeks ago in a Toyota jammed full of chaos, for the first of their Wild Creations residencies. Billy Earl & Betty Grey are the creative geniuses behind the indie-folk band, Rosy Tin Teacaddy. As apart of the Wild creations programme they have come up with the inspiring idea of creating a new collection of songs based on their experiences, the land, and the people and stories of Tarawera.    

The Wild Creations residency programme is a partnership between Creative NZ (Provides the funding) and the Department of Conservation (Host the artists) allowing great folks like Billy & Betty the opportunity to get away from it all and do what they do best – create!   

Sunrise over Tarawera

During their latest stay they have been out and about researching the area by day, visiting local ‘hot spots’ and catching up with locals etc. By night they can be found at their humble abode writing & playing. All this mixed in with numerous cups of tea of course!    

According to Billy & Betty this first stint has mainly been dedicated to devising their stage show, which is playing at BATS theatre May 19 to 22. “The show and the album project have become parts of the same thing. The show is almost the springboard into the project as a whole” comments Andy.    

“On our next visit to the area we are hoping to coincide the dates with the anniversary of the Mt Tarawera eruption (10th June 1886). Some may say that this is a great coincidence. I believe that it is somewhat serendipitous” says Betty.    

“We are hoping to throw together a special anniversary gig for the locals come June”    

Creating the night away…

Stay posted on the latest escapades by checking their blog site: http://rosytinteacaddy.wordpress.com/
Become a Rosy Tin Teacaddy Facebook Fan
If you’re in Wellington don’t miss the show at BATS: 19th – 22nd May 2010
And, stay tuned for updates on a special Tarawera Anniversary gig in Rotorua! 
Wild Creations on the DOC website

Kia ora,
Te Pūkenga Atawhai is a course run by DOC for the specific purpose of enlightening its staff about Māori, Māori issues, Māori culture/beliefs, the Treaty of Waitangi, and the proper (tika) ways in which to conduct yourself when you interact with tangata whenua – See in our line(s) of work, we deal with tangata whenua all the time.

The course is run by Pou Kura Taiao – Indigenous Conservation Ethics Managers, who among other roles are ‘cultural advisors’ that work for the Department. The Pou are all extremely nice blokes (There is one female Pou who I’m led to believe is the rose amongst the thorns) exuding all sorts of mana. The Pou know way more than a thing or two about their culture.

I’m venturing forth from my secluded house in the Wellington ‘burbs, to sleep on a marae with a bunch of anonymous snorers on Arapaoa Marae in Waikawa, and learn about the Treaty amongst other things. And what should I expect? I’m really not quite sure…

 

Te Pukenga Atawhai participants and Pou Kura Taiao.

Te Pukenga Atawhai participants and Pou Kura Taiao assembled outside Waikawa Marae. Photo: Jazz Scott

Like I say, I truly didn’t know what to expect. I was on a ferry with about 4 people I knew from the Wellington office I work from, and I was about to join about 35 other strangers for a week on the Marae in Waikawa, which is very close to Picton in the Marlborough Sounds.

So I joined around forty of my esteemed colleagues, who were from Wellington, Nelson/Marlborough, Motueka, Reefton, Aoraki/Mt Cook, the NZ Fire Service and elsewhere. We arrived at Waikawa and were brought onto the Marae with a traditional powhiri (welcome). I’d seen powhiri before on the tele and stuff, but I’d never actually experienced one, let alone participated in one… ‘What do I do now?’ I’m wondering, the whole way through… But luckily Te Pūkenga Atawhai is one of those places where ignorance (read: naivety) isn’t shunned, rather it’s welcomed, and then if need be it’s corrected for you in the nicest way possible.

Participants are welcomed onto the marae as we held our own powhiri and hui as a group.

Participants are welcomed onto the marae as we held our own powhiri and hui as a group. Photo: Anaru Luke

Te Pūkenga Atawhai comfortably takes people out of their comfort zones, and it’s a good thing. Each of us had the best part of a week to write our own mihi (greeting) completely in te reo māori. On the last day, each and every one of us got up in front of the whole group in the whare-nui, and delivered his or her mihi. The mihi was followed by a presentation of a taonga (treasure) by each person. Some people talked about their whanau at home, others spoke of their waka or another meaningful possession of theirs. Personally, I talked about my rhyme-book (I make Hip-Hop music) given to me by my Mother, and I thought that one of my conservation-themed verses would be appreciated by the group, so I performed a part of it after my mihi as my taonga. It has to be said that everyone did splendidly, with a task that certainly doesn’t come easily to non-speakers of te reo māori.

Ken Clarke joined us from the NZ Fire Service, here he participates in a role play activity involving the Treaty of Waitangi.

Ken Clarke joined us from the NZ Fire Service, here he participates in a role play activity involving the Treaty of Waitangi. Photo: Anaru Luke

When I went to the marae, I already possessed this disconnected vocabulary of te reo māori that I didn’t really know what to do with. I was like: “So when do I say ‘ka pai’?” or “Why do we always sing a waiata after someone has spoken?” or even just “Why do I have to take my shoes off at the whare-nui?” Well now I know about all of that, thanks to DOC and the Pou. I knew about some words, like tu meke, whare, ka pai etc, but now I actually feel comfortable integrating te reo māori into my everyday language. Good times.

Carving at the Marae front gate.

Carving at the Marae front gate. Photo: Sam O'Leary

Of course, I know some people who boo-hoo the idea, like: “Maan what a waste of money, I can’t believe DOC’s actually paying for you to stay on a marae with the Maa-reys for a week…way to spend our taxes bro!”

Te Pūkenga Atawhai though, is no holiday. We left with our brains bursting with both fresh and ancient information, and also with the knowledge that probably, we would  soon be putting this new information to use  in each of our roles. Since treaty settlements began, we’ve had more and more to do with Māori, and if you look across the Department, we probably interact on a near-daily basis. Most of our core business at DOC will involve Māori at some time, and Te Pūkenga Atawhai goes a long way towards the strong relationships we now enjoy with iwi right across Aotearoa.

A poupou depicting Kupe slaying the octopus he chased across the Pacific Ocean. This pillar is at Karaka Point, near Waikawa in the Marlborough Sounds. Photo: Sam O'Leary

A poupou depicting Kupe's struggle with the octopus he chased across the Pacific Ocean. This pillar is at Karaka Point, near Waikawa in the Marlborough Sounds. Photo: Sam O'Leary

Te Pūkenga Atawhai seems to me, to be a pretty unique thing. I don’t hear about many other employers sending their staff to learn about Māori culture and how to deal with and relate to tangata whenua, but I suppose there aren’t too many Government Departments and indeed businesses that work with Iwi as much as we do. If any of you out there have had some similar experiences either with DOC or with any other sort of organisation then let us know.  I’d be keen to hear about it, drop us a comment or any questions you’ve got.

Tou rourou, toku rourou, ka ora te Iwi.

(With your contribution and my contribution we will thrive.)

And cheers for reading :D

The whare-nui through the entrance to the marae. Photo: Sam O'Leary

The whare-nui through the entrance to the marae. Photo: Sam O'Leary

 

 

One of the Pou Kura Taiao, Joe Harawira, jammin' in the whare-kai.

Pou Hapai Joe Harawira, jammin' in the whare-kai. Photo: Sam O'Leary